By Ameret Vahle While working with cutouts and stencils of human chains in my paintings, I got the idea to put a call out asking people for cutouts of their own. Participants could make them out of many different materials such as waste paper, advertisement posters or plastics for inclusion in the installation of "The world in my backyard.’’ I received numerous cutout chains of various forms, dimensions and materials from nearly all over the world and from people of all ages and professions.
In Berlin, I installed these cutouts on the garbage cage in my backyard. The cage was illuminated from within for an event on March 12, 2011. Then, something unexpected happened as a result of the recent news of the nuclear accident in Fukushima, Japan: visitors began to spontaneously build human chains, reflected as shadows on the surrounding walls.
The day of the event, a young lady in the street who had never before taken part in creating art or in building human chains stated, "When we took each other by the hand, I felt a deep and touching energy of solidarity I never had before. Now I feel the power of this kind of manifestation and start to understand and will participate more." This was one of the most touching statements I received for the project.
The dialogue of the garbage cage and symbolism of human chains came to represent barriers against the use of nuclear energy in Germany before the Fukushima event, and after, in Japan. It became a sign of solidarity, even for those who had not participated before, creating discussion, reflection and engagement.
These chains symbolize democracy and real human chains, and are organized to express political opinions and demands. The feeling of taking somebody by the hand and building a real chain conveys a special experience that can make us feel related and united. Further, the making of chains cut out of paper, a form of play by children in many cultures, is a contemplative way to tap into one’s childhood roots.
The qualities of interactive performance and ephemeral installation reflect actual problems and demands, discussed in a lively way during and after the event, and encourage material, as well as mental, sustainability.
Born in Dortmund, Germany, Ameret lives and works primarily in Berlin. She has studied at the Academy of Fine Arts in Düsseldorf and as guest at the Académie des Beaux Arts of Paris. She has participated in, among others, the 15th International Visual Arts Symposium in Padgorica/Serbia and Cetinje/Montenegro, and was an invited artist to the Beijing Art Space. Recent works include a street project titled, "I am here," in Nice, France, and "Shadows," a street project and exposition with the people of Berlin/Spandau. To view more of her work, please visit www.ameret.eu.